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标题: 潜汤觅揭偻寻味江南古韵：软糯桂花糕香满街竿谖毕匆泻 [打印本页]

作者: qw130140 时间: 2026-03-04 10:16:04
标题: 潜汤觅揭偻寻味江南古韵：软糯桂花糕香满街竿谖毕匆泻
潜汤觅揭偻寻味江南古韵：软糯桂花糕香满街竿谖毕匆泻《添字采桑子·窗前谁种芭蕉树》原文翻译及赏析_作者李清照窗前谁种芭蕉树阴满中庭阴满中庭叶叶心心舒卷有馀清馀清一作情伤心枕上三更雨点滴霖霪点滴霖霪愁损北人不惯起来听这首词作于南渡以后通过雨打芭蕉引起的愁思表达作者思念故国故乡的深情上片咏物借芭蕉展心反衬自己愁怀永结郁郁寡欢的心情和意绪首句窗前谁种芭蕉树似在询问似在埋怨无人回答也无须回答然而通过这一设问自然而然地将读者的视线引向南方特有的芭蕉庭院接着再抓住芭蕉叶心长卷叶大多荫的特点加以咏写蕉心长卷一叶叶一层层不断地向外舒展阔大的蕉叶似巨掌似绿扇一张张一面面伸向空间布满庭院散发着清秀点缀着南国的夏秋第二句阴满中庭形象而逼真地描绘出这一景象第三句重复上句再用一个阴满中庭进行吟咏使人如临庭前如立窗下身受绿叶的遮蔽进而注视到蕉叶的舒卷叶叶心心舒展有馀情歇拍二句寄情于物寓情于景叶叶与心心两对叠字连用一面从听觉方面形成应接不暇之感面从视觉印象方面向人展示蕉叶不断舒展的动态而蕉心常卷犹如愁情无极嫩黄浅绿的蕉心中紧裹着绵绵不尽的情思全词篇幅短小而情意深蕴语言明白晓畅能充分运用双声叠韵重言叠句以及设问和口语的长处形成参差错落顿挫有致的韵律又能抓住芭蕉的形象特征采用即景抒情寓情于物触景生情寓情于景的写作手法抒发国破家亡后难言的伤痛用笔轻灵而感情凝重体现出漱玉词语新意隽顿挫有致的优点蒋哲伦等李清照词鉴赏济南齐鲁书社
《春夜洛城闻笛》原文翻译及赏析_作者李白谁家玉笛暗飞声散入春风满洛城此夜曲中闻折柳何人不起故园情《送严士元(春风倚棹阖闾城)》原文翻译及赏析_作者刘长卿春风倚棹阖闾城水国春寒阴复晴细雨湿衣看不见闲花落地听无声日斜江上孤帆影草绿湖南万里情东道若逢相识问青袍今已误儒生
《雪梅（有梅无雪不精神）》原文翻译及赏析_作者卢梅坡有梅无雪不精神有雪无诗俗了人日暮诗成天又雪与梅并作十分春古今不少诗人往往把雪梅并写雪因梅透露出春的信息梅因雪更显出高尚的品格如毛泽东卜算子咏梅中就曾写道风雨送春归飞雪迎春到已是悬崖百丈冰犹有花枝俏俏也不争春只把春来报待到山花烂漫时她在丛中笑雪梅都成了报春的使者冬去春来的象征但在诗人卢梅坡的笔下二者却为争春发生了摩擦都认为各自占尽了春色装点了春光而且谁也不肯相让这种写法实在是新颖别致出人意料难怪诗人无法判个高低诗的后两句巧妙地托出二者的长处与不足梅不如雪白雪没有梅香回答了骚人阁笔费评章的原因也道出了雪梅各执一端的根据读完全诗我们似乎可以看出作者写这首诗是意在言外的借雪梅的争春告诫我们人各有所长也各有所短要有自知之明取人之长补己之短才是真理这首诗既有情趣也有理趣值得咏思《玉女摇仙佩（飞琼伴侣）》原文翻译及赏析_作者柳永飞琼伴侣偶别珠宫未返神仙行缀取次梳妆寻常言语有得几多姝丽拟把名花比恐旁人笑我谈何容易细思算奇葩艳卉惟是深红浅白而已争如这多情占得人间千娇百媚须信画堂绣阁皓月清风忍把光阴轻弃自古及今佳人才子少得当年双关且恁相偎倚未消得怜我多才多艺愿奶奶兰心蕙性枕前言下表余心意为盟誓今生断不孤鸳被双关一作双美

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